international audience in mind, he turns to one of the most original and colourful art forms that developed in and spread through the Ottoman Empire.

Starting with an overview of theatre traditions in Turkey, Metin And moves on to a thorough investigation of Karagöz, Turkish shadow theatre named after its protagonist: Its origins and development, the techniques involved in making of the figures and props, detailed studies of the stock characters and plots, and the form’s function as political comment in the Ottoman Empire, ending with an account of shadow theatre’s decline and later influence in the Westernizing Turkey. This revised edition includes full-colour reproductions of figures found in the rich Karagöz archive of Yapı Kredi Museum, as well as an appendix on the Turkish puppet and marionette theatre written by Metin And, the full text of a Karagöz play, and an interview with one of the last Karagöz performers in Turkey.

Highly informative and hugely entertaining, Karagöz: Turkish Shadow Theatre is an indispensable reference book on the subject.